Archive for August, 2009

Leonardo Ciampa: Missa Salutaris op.89

Saturday, August 15th, 2009

 

Leonardo Ciampa: Missa Salutaris

Leonardo Ciampa: Missa Salutaris

Maren Montalbano, mezzosoprano
Leonardo Ciampa, organ
Recorded summer, 1997
CIC wishes to thank to Maren Montalbano (http://marenmontalbano.com) for her kind permission to use these sound clips.

“The Gloria is really a mini opera. It should be on every alto’s voice recital. … Ciampa is writing in the style of the late Romantic Italian composers, but the music still sounds fresh. … The Benedictus is like heavenly light … In the Agnus Dei he followed the old convention of bringing back the music of the Kyrie, giving the Agnus Dei a note of finality. … With this lyrical, almost operatic Mass, Ciampa has resurrected his personal version of the stile nuovo. In that sense, he is the 21st-century Viadana.” — Joseph Cirou

Joseph Cirou is a former student of the late Dr. Edward Eigenschenck, himself a student of Louis Vierne. Mr. Cirou is the music director at St. John Vianney Church in Lithia Springs, GA. He completed undergraduate studies in organ at the American Conservatory of Music in Chicago, IL, and a Masters Degree with a concentration in voice from the same school. During his college years he sang with the Pro Oratorio Singers, which specialized in concert productions of the Oratorios of Perosi.

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Andrea Amici: La Fleur Nuptiale per pianoforte

Saturday, August 15th, 2009
Andrea Amici: La Fleur Nuptiale per pianoforte

Andrea Amici: La Fleur Nuptiale per pianoforte

La Fleur nuptiale is a short piece for piano, a musical meditation on the beauty of the unique and unrepeatable moment of marriage, dedicated to my beloved American friends Leonardo Ciampa and Jeanette McGlamery for their wedding.

Echoes of music of the past come together in the synthesis of a language that spans musical time, suspending the atmosphere in a perpetual waiting to reach a final climax with a quote from the wedding song par excellence, the chorus from Wagner’s Lohengrin, seen as if a reflection in the water.

The piano writing tends to dilate the melodic ideas across the width of the keyboard, even hinting at a Romantic style of pianism, with a succession of episodes, linked together by some basic motivic ideas, sharing a common fundamental idea and harmonic procedures typical of the writing of the author, based on a form of free diatonism, without extreme simultaneous chromatic complications, with chord structures built from time to time on characteristic intervals.

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Victor Searle: Three Japanese Melodies

Thursday, August 6th, 2009
Victor Searle: Three Japanese Melodies

Victor Searle: Three Japanese Melodies

Victor Searle has provided three arrangements of Japanese melodies, all colorfully registered and skillfully produced.

This is the first publication of a music by Victor Searle within the Consortium Internationale Compositorum, provided in an elegant edition, enriched by a reprint of a watercolor by Kenji Murata.

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searle_3_jap_melodies_videopreview

Watch the video of Lullabye of Itsuku from the Three Japanese Melodies by Victor Searle, played by Russ Greene (organ) in an AGO Organ Spectacular Concert, “The Organ Heard ‘Round the World” on the Phoenix organ of St. Andrew’s Anglican in Winnipeg